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cementing the George Eastman House as an avant-garde epicenter for photographic theory and curation
room-sized tableaux from scratch
" Gidal left a lasting legacy as a compassionate chronicler of 20th-century history whose work balanced spontaneous storytelling with rigorous intellectual depth
Industrial Growth and the First Consumer Cameras
The Viewer as Voyeur. April 30–July 8, 1987. Signed book cementing the George Eastman HouseWhitney Museum of American Art at Philip Morris, 1987. Essay by Andrea Inselmann, Grant Keste, James Peto, and Charles A. Wright, Jr. Exhibition catalogue of 28 works in various media by sixteen twentieth century artists and photographers, including Walker Evans, Weegee, Edward Hopper, Eric Fischl, Joseph Cornell, Reginald Marsh and others. Wraps, 12 pages, 8 illustrations (1 color). Very good with a few small crimps. Summary: The Viewer as Voyeur