Paul Gilroy: There Aint No Black in the Union Jack Queer Culture Younger practitioners of performance and

Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s

a chorus of voices and experiences is summoned to the page

all this by “working faster than the speed of their erections”

Avtar Brah offers a transdisciplinary study of the ways in which mobilities assume social forms and result in multiple belongings

Paul Gilroy: There Aint No Black in the Union Jack Queer Culture Younger practitioners of performance andRoutledge Classics, 2002, softcover, 416 pages, 12. 9 x 19. 81 cm This classic book is a powerful indictment of contemporary attitudes to race. By accusing British intellectuals and politicians on both sides of the political divide of refusing to take race seriously, Paul Gilroy caused immediate uproar when this book was first published in 1987. A brilliant and explosive exploration of racial discourses, There Aint No Black in the Union Jack provided