Composition (1921) by Georges Valmier Photography-Japanese The sense of sound and

The sense of sound and movement is tangible: the composition itself seems to pulse with the visual equivalent of musical rhythm

part Baroque

Montreaux Jazz Festival channels the graphic energy of mid-century concert art through a strictly modern vocabulary

labelled constellations

Composition (1921) by Georges Valmier Photography-Japanese The sense of sound andPainted in 1921, this Composition captures Valmier at the pivot point between Cubist fragmentation and lyrical abstraction. Geometric planes tilt and overlap in a dynamic arrangement, colour doing the structural work that line alone could not sustain. The palette is warm but controlled reds and ochres balanced by cooler accents generating a sense of forward momentum across the picture surface. It is an assured statement from one of French modernism's