Striped by Wassily Kandinsky Exhibition Oskar Schlemmer graphic layout that bridges 19th-century

graphic layout that bridges 19th-century Japanese botanical documentation and the formal conventions of exhibition design

The composition follows the shin-hanga tradition — a careful layering of flat color planes and atmospheric depth that collapses the distance between document and poetry

Printed in our Berlin studio as an archival fine art print

The result is an image that is simultaneously document and sculpture

Striped by Wassily Kandinsky Exhibition Oskar Schlemmer graphic layout that bridges 19th-centuryIn Striped, Kandinsky employs banded structure to explore the emotional weight of horizontal rhythm and chromatic sequence. Stripe against stripe, each band carries its own tonal and psychological charge warm against cool, saturated against muted building a composition that feels both orderly and alive. The work reflects his Bauhaus era investigations into the grammar of visual form: what does a line do, what does colour feel like, and how does their