Mountains No2 by Dan Hobday Vincent van Gogh The matte surface holds fine

The matte surface holds fine detail without glare

cohesive whole

'Beach at Low Tide' reveals a lesser-known dimension of Edgar Degas — the landscape observed with the same unsentimental eye he turned on the ballet studio

drifting light — with the warmth of human presence

Mountains No2 by Dan Hobday Vincent van Gogh The matte surface holds fineMountains No2 returns to one of Hobday's recurring subjects with fresh restraint. Layered peaks are reduced to clean silhouettes a composition that feels both ancient and entirely contemporary. The tonal range is narrow and intentional, creating atmosphere through subtraction rather than addition. There's a meditative quality here that belongs firmly to the Japandi tradition: nature observed, simplified, and quietly honoured. Printed as an archival