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Japanese pigment inks lock in the rich colours with museum-grade permanence
Rousseau never left France
The result is an abstraction that feels neither arbitrary nor overworked: considered
the work reflects Kandinsky's Bauhaus-era thinking: that visual art
Soshu Suzhou - 1940 by Hiroshi Yoshida Yamamoto Baiitsu Japanese pigment inks lock inSoshu Suzhou 1940 sets Yoshida's gaze on the famous canal city of Suzhou, one of the classical garden landscapes of China. The composition is peaceful waterways reflect soft sky light between old walls and leafy banks and Yoshida renders it with the same patient observation he brought to Japanese river scenes. The light is gentle and even, the colour palette restrained to cool blues, greens, and warm stone. It is a portrait of a place that invites
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